criteria for art criticism

Am I drawn to it?
Do I feel a strong attraction or connection?
Does it trigger a series of thoughts?
Does it change my thoughts?
Does it set a mood?
Does it amplify my emotions?
Does it encourage me to make something?
Does it provide new information?
Is it beautiful?
Does it intensify perception?
What is the level of abstraction?
Does it awaken memories?
Does it make me curious?
Do I want more of it?
Does it summarize an era?
Is it innovative?
Does it stand out?
Do I remember it after 10 minutes?
Does it surprise me?

 

my first encounters with the world wide web

peter luining lifesaver

I was familiar with computers since I was small, and I had seen the internet on TV… but it’s harder to show a website on TV than to show TV on a website. My first real internet experience was at the library, I was 16 years old. I surfed a bit, mostly looking for interviews with bands. It was terribly slow, but I enjoyed it already. A few months later our home computer got a dial-up connection and I got more into it. I would write down my favorite websites on a piece of paper, I did not know about browser bookmarks…

Dutch progressive broadcasting station VPRO used to have a website with “Lifesavers”. Lifesavers were something that “does not happen in a book, does not happen on TV, an experience specific to the internet.”

It was a series of experimental websites by artists such as Peter Luining and Han Hoogerbrugge, exploring what a website could be, and playing with the slow connections of the internet, turning it into a strength.
I still love small files.

(this is part of a forthcoming interview by Johanna Bergmark)

 

“Perfect Vacuum” at Galeri Pictura, Sweden

2010 perfect vacuum rafael rozendaal

2010 perfect vacuum rafael rozendaal

2010 perfect vacuum rafael rozendaal

2010 perfect vacuum rafael rozendaal

2010 perfect vacuum rafael rozendaal

2010 perfect vacuum rafael rozendaal

2010 perfect vacuum rafael rozendaal

“Perfect Vacuum”, solo exhibition at Galeri Pictura, Lund, Sweden.

 

“BYOB (bring your own beamer)”, Berlin

A one night exhibition: several artists showing their work with their own beamer.
The first BYOB event took place on July 20th 2010 in Berlin.

 

popcorn painting installation

popcorn painting

popcorn painting

popcorn painting

Installation of Popcorn Painting .com at the Schunk museum tent.

 

“Broken Self” exhibition at Spencer Brownstone Gallery, NYC

interactive sculpture based on broken self .com

 

“Hot Doom With Mirrors” at Nest, The Netherlands

 

“Broken Self” at Schleiermacher studios, Berlin

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AFK Sculpture Park in Berlin, curated by AIDS-3D.
An interactive sculpture based on broken self .com.

 

“Really Really Big” exhibition at NP3, The Netherlands

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2009_reallyreallybig_07

“Really Really Big”, solo show at NP3 Groningen, 2009.

 

the long cigarette

2008_cigarette_01

2008_cigarette_02

The Long Cigarette” premiere at SMCS op 11.

 

color flip paintings

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2008_colorflippainting_02

2008_colorflippainting_03

oil on canvas, 130 x 89 cm.

 

tattoo on sunset

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Self portrait on Sunset Blvd, 2007

 

internet painting

2007_rafaelrozendaal_internet

enamel on canvas, 135 x 100 cm.

 

Dazed & Confused & Andy Warhol

2007_baltic

Andy Warhol themed exhibition curated by Jerome Sans at the Baltic Mill, Newcastle England.

 

“Piece by Piece” at Galeria dels Angels, Barcelona

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2007_delsangels_03

2007_delsangels_02

Piece by piece, solo show at Angels Barcelona.

 

“No Disc”, Amsterdam

no disk

No Disk, three dvd players showing their default screensaver.

 

“Much Better Than This” at Stedelijk Museum, Amsterdam

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2006_stedelijkkiss_02

Premiere of much better than this .com at the Stedelijk Museum Amsterdam.