RR haiku 102



right there


Human Being Journal

photo by clement pascal

This is an archive of an article in Human Being Journal #5.
Text by Tag Christof, Photography by Clement Pascal.

In the early 1980s, Sherrie Levine gained notoriety for her groundbreaking exhibition After Walker Evans. She had photographed a number of the FSA master’s Great Depression-era photographs (notably all taken before she was born in 1947) and then hung and presented them, in all seriousness, as her original work. She had shot and developed the actual photos on display, so in a strictly ontological sense, the work was hers. But unlike earlier appropriation work, Levine made no attempt to disguise or alter the source. Instead, she made a game of subverting originality by calling it out in the exhibition’s title. The art world bristled. Was it still life? Was it original? Was it just shameless, lazy theft? And what did any of this mean for the value of a photograph as a piece of art?

Fast forward a few decades and art history has sided squarely with Levine. But the work of a new generation of digital artists is begging a similar set of questions around reproducibility, value and ownership. Rafaël Rozendaal is among their foremost pioneers, having worked on the web prolifically since around the turn of the millennium. He trained as a conventional artist, but since 2001 has been buying up clever domain names on which to set up interactive artworks. The sites are singular — each contains one engaging scenario rendered in bright and proudly RGB palettes, and invites the user into a bit of unexpected usability. Among them are whitetrash.nl, pleasetouchme. com, jellotime.com, hotdoom.com, beefchickenpork.com and several others.



Painters Painting

Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios.

Artists appearing in the film include Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Barnett Newman, Hans Hofmann, Jules Olitski, Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland.


RR haiku 101

not here

not there



RR haiku 100

i should be

at a beach

right now


RR haiku 099



see you later


RR haiku 098

thank you socks

for making sure my feet

don’t touch my shoes


RR haiku 097

almost nothing

hardly anything

barely something


RR haiku 096

i am sorry

won’t happen again

my apologies


RR haiku 095





RR haiku 094

not knowing why

is the best

reason why



torn composition

Time is absolute, the experience of time varies.

Some days fly by and some days drag on forever.

It’s our personal perception of time that we have to live with.


RR haiku 093

felt sad

ate steak

feel good


Reasons for abstraction






The irony of efficiency

kauai beach

Someone finds a trick to simplify a task. This person finishes the task faster and has more time to relax.

Once everyone starts using the same trick, there is no time to relax any more. You have to use the trick. What used to be normal is now slow.